Tuesday, November 10, 2026

This Just In ...

Alright party peeps, Joe3 here once again to give you the low down on what's happening in my little corner of the world, and in particular, with this website.

First and foremost, in a previous post, I mentioned something about a new issue of The Butter Lamb News being out by the end of October. Well, if you have a calendar handy, you'll see that today is November 10 and there still isn't a new issue of The Butter Lamb News. I do plan to have a new issue out, but now that I've missed my own deadline, I'm hesitant to say when that will be. Stay tuned to this space as things develop.

On this plus side of the ledger, I have managed to produce two new issues of This Week in Strange Music. Episode 7 came out at the end of October, but Episode 8 was just published today, so at least you can listen to some interesting jams while you're waiting for that new issue of The Butter Lamb News.  

And speaking of music, I have filled in the some of the blanks on the "My Bands and Musical Projects" page. Of particular note is the addition of the Manual Demo (2000), which is something near and dear to my heart. And if that weren't enough, I've also added a link to my YouTube channel, Joe3's Moments of Zen. If you need a moment away from the hurly-burly of our busy-for-the-sake-of-busy world, I encourage you to check it out.

That's it for now. Thanks for stopping by and enjoy!

This Week in Strange Music - Episode 8

 
1. Song: "Subito"
Artist: 
Moebius & Beerbohm
 
Okay, here's the deal: It's Tuesday, but it feels like Friday because I have tomorrow off. So, we're going to ease into this fake weekend with an instrumental number from Moebius & Beerbohm, artists who are on the Bureau B record label out of Hamburg, Germany. I don't know what to say about this track except, I hear kazoos. Do you hear kazoos? If I had to classify this, I'd call it garage techno, and by that I mean it has sort of a techno vibe with a steady beat, but the bass isn't there and the entire production has a sort of home-based garage feel. You may disagree, of course, but however you'd classify it, I think we can agree that it's definitely strange, and therefore fits under the banner of "strange music." Dig it. 

"Subito" by Moebius & Beerbohm
 
 
2. Song: "Moon Calf"
Artist: Tree Helicopter
 
Remember The Matrix? You know, the first one. The good one. Man, that movie had a big impact on me. To this day, I think about it a lot. Okay, so what does The Matrix have to do with strange music? Well, this song from Tree Helicopter would be right at home in it. I envision it playing behind some sort of montage of the Morpheus-led freedom fighters getting ready for a mission in the artificial realm policed by Agent Smith and his techno-fascist minions, and when you hear it, there's a good bet you'll envision the same. Like the song before it, this too is an instrumental. Further, it too could fall into that pseudo-genre of garage techno, but maybe not. I dunno, I'm just spit-ballin' because there's something going on here ... something good ... but I can't quite put my finger on it. All I know is that I like it and it make me want to take fight back against my techno-oppressors! Check it and then arm the EMP. (You know what I'm talking about.)
 
"Moon Calf" by Tree Helicopter 
 
 
3. Song: "Scrap Metal
Artist: Strange Attractor
 
With a name like "Scrap Metal," you might think this is a metal song. Nope. To me, it sounds like something some inventive and intelligent rap group might sample, which is to say it's another instrumental. (What's with the lack of vocals on these songs?) Of course, this jam is more than just a backing track. There's something soulful and soul-stirring going on here. It's spooky, yet inviting. Mysterious, yet somehow familiar. I suppose it too could be something a cinematographer could use to accompany some sort of montage of spies or clever thieves winding their way through a city en route to kick off some caper. Then again, this is also the kind of jam you could put on while your making dinner and dance to it while you're waiting for the oven to preheat. Granted, I finished cooking dinner hours ago, yet I'm still listening to this song. Now press play and pass the salt.   
 
"Scrap Metal" by Strange Attractor 
 
 
4. Song: Birdman of Lafayette (My Husband is Dead)
Artist: Dopplepopolis
 
Okay, here's the deal: where a most of the other songs in this installment were kind of chill and laid back, this song from Indiana's Dopplepopolis is anything but. The release this song comes from is called Bizarro, and that sort of describes this blend of Midwest up-tempo punk mixed with ... something. I don't know how to characterize it, but it's definitely different from the punk I cut my teeth on. That's not a bad thing. Variety is the spice of life, girlfriend, and this track is spi-cy! There's also come cool, spacey effects at the end of this track give it an interesting finish. Dig it. 
 
 
 
Alright, that's it for this installment, babies. Until next time ... stay strange! 

Wednesday, October 28, 2026

This Week in Strange Music - Episode 7

1. Song: "Hot Rod Guitar"
Artist: Pete Drake 

Okay, so I have this habit of buying weird, old albums and some time ago, I picked up a record called "Fire on the Strings." This is not the "Fire on the Strings" album by country/western guitar slinger Joe Mapis, who just so happens to have a record by the same name. No siree, Bob. This "Fire on the Strings" is a compilation album from 1967 that features a variety of "Great Country and Western Instrumentals." What possessed me to buy this record, I cannot say, because let me tell you that "great" is pushing it. I suppose I bought it because it's got a guitar on the cover, and being a guitar player myself, I thought I might find something interesting and/or inspiring on it. I did not. I did, however, find something weird. 

Track number 5 on side two is a song by Pete Drake called "Hot Rod Guitar," and the description on the track on the record sleeve says, "Outstanding steel guitar musicianship is displayed on this instrumental which captures many of the sounds of America's open roads." Well, I don't know what roads Mr. Drake drives (drove? He may be dead ....) on, but I have never heard sounds like these on the asphalt. Have a listen and see what I mean. 

"Hot Rod Guitar" - Pete Drake 

 

2. Song: "Phone"
Artist: Dirge

I love this song, and not just because it sounds like something I wrote, or because the band shares my taste for mixing music with everyday (or found) sounds, or because it's rather sad and depressing, like the music I tend to write. I'm almost positive this song uses some of the same notes Isis (the band, not the terrorist group) uses in their song "So Did We," but I could be wrong (but I don't think so). 

Anyway, this is cool, moody, atmospheric sounding music with an enigmatic, rambling, one-sided conversation-style (you know, like someone talking on a phone) lyrics. And on top of all that, the cover for this record features an old photograph of people curling on a frozen pond with brooms!

PS.) Dirge gets extra points for naming the first song on this record "Hidden Track." Ha!

"Phone" - Dirge 

 

3. Song: "Teenage Girl Ghoul A Go-Go"
Artist: Armageddon Gospel Revival

Hey, so it's Halloween, so why not through in a weird song that is somewhat related to the pagan holiday we all celebrate for some reason? Anyhoo, I actually came across this track a few months ago and have been sitting on it this whole time. What I didn't know then that I do know now is that this song comes from a soundtrack for the movie, "Caress of the Vampire 2: Teenage Girl Ghoul A Go-Go," and I didn't know that because I didn't bother to read the damn webpage I found the song on (duh!). 

So, it seems the people who made the movie (those people being the people of Severed Lips Recordings) got the opportunity to create a feature film and soundtrack. According to the web page about it on archive.org, "The title given them was Caress of the Vampire 2, the only requirement that it had nudity." You can read about the film's "inane plot" here. It does sound inane, but the this song that I've chosen for you is not. This is a ripping garage rock instrumental, and I chose it out of all the songs on this soundtrack (including the "remix" of the song that seems to be no different than the original other than the fact that it's one second longer) because it sounds the best.

So, before the clock strikes midnight on spooky season, take Teenage Girl A Go-Go for a spin. 

PS.) Also featured on this soundtrack is a song ("Move") by garage rock band Creeping Pumpkins, who I mentioned in my write up of the compilation record The Deadly Spawn in This Week in Strange Music - Episode 3

 "Teenage Girl Ghoul A Go-Go" - Armageddon Gospel Revival

That's it for now. Until next time, babies ... stay strange!  

Wednesday, September 23, 2026

News and Updates

Howdy Folks, Joe3 here to inform you of more new content on my website that I don't want you to miss!

  • First, there's a new post on the Butter Lamb Reference Library blog that was inspired by a writer with a thing for reading obituaries in newspapers and not online. 
  • Next, there's new installment of The Adventures of Guy Verbose titled, "The Big Escape" about a stray dog that disrupted one of my recent Friday nights.
  • And finally, there's a new episode (Episode 6) of This Week in Strange Music featuring delightful jams by punk rock bluesman Scott H. Biram, session guitarist Ralph Grasso, and industrial metal pioneers Godflesh. 

Finally, I feel I would be remiss if I didn't mention that I've done some work on this website to (hopefully) make it easier to navigate. The items under "My Projects" in the right column are now "pages" instead of old blog posts, which means they function better as directories. This may all be somewhat meaningless to you and it’s likely you won’t even notice a difference, but as time goes on and I post more things, these new pages will help keep everything organized. 

Thanks for stopping by! 

This Week in Strange Music - Episode 6

1.) Song: "Blood Sweat and Murder"
Artist:  Scott H. Biram

We're coming out of the gate with some heat in this, the sixth episode 6 of This Week in Strange Music. I don't know where these artists come from -- I stumbled across this fella while swashbuckling my way through the bushes and the undergrowth of the Internet Archive one lazy afternoon -- but once again, I struck gold. This mix of punk, delta blues, and hillbilly rock from one Scott H. Biram will burn your belly and singe your soul. I don't know this guy's story, but this jam is best paired with robbing banks and racing the sheriff to nearest state line. Dig it ... just don't blame me if you feel like breaking the law when you're done. 

"Blood, Sweat, and Murder" -  Scott H. Biram

2.) Song: "Rat Trap"
Artist: Ralph Grasso 

A few installments ago, I played a song called "Dead Man's Stroll" by the early rock-n-roll group, The Revels. This song, which is mostly an instrumental, has a similar, early rock vibe, but it's also got a hint of jazz bebop and a taste of underworld sleaze that I find appealing. Like the song before it, I came across this tune while schlepping around the Internet Archive, but it was part of a compilation, so the link I'm providing here is to YouTube. That means there will be ads. Sorry about that.

According to Wikipedia, Grasso hailed from Newark, New Jersey, and worked as a session musician and on television and film scores. He performed for several U.S. Presidents and Queen Elizabeth. "Rat Trap" doesn't seem like the kind of song you'd play for such an audience (which is why I like it), but what do I know. 

"Rat Trap" - Ralph Grasso


3.) Song: "Flowers"
Artist: Godflesh 

I confess, I've known about this song since the early 1990s, so I didn't stumble across it on some weird website while I should have been doing other things. That said, I sort of forgot about it until it popped into my head while I was navigating the aisles of my local Food Lion the other day. (The mind works in mysterious ways!) Once I remembered it, my next thought was, this song would be perfect for This Week in Strange Music ... and it is! Not only is it weird, it's somewhat different from the rest of Godflesh's catalog. 

While the band is known for creating aggressive, angry, and even violent-sounding industrial-tinged metal (or metal-tinged industrial), this song has rather experimental vibe. The throbbing bass in it is pure* Godflesh (pun intended), so if you aren't familiar with this band and like that element of this song, you may want to investigate more of their music. 

I have been lucky enough to see Godflesh a few times (they seem to have frequent visa problems, so I mean it when I say "lucky") and I can tell you they are one of the loudest, most punishing bands ever, which makes their fondness for feedback a tough row to hoe sometimes. That said, strap yourself in for this delightfully weird and kinda creepy song.  

"Flowers" - Godflesh

* Pure is the name of the band's 1993 release, which came out right before the Merciless EP that "Flowers" is on.  

 

Until next time, babies ... stay strange! 

Tuesday, September 22, 2026

Guy Verbose - The Big Escape

It's a dark night in a suburb without streetlights. But on the first floor of a split-level home in the heart of Ravens Way, one man is trying to figure out why he is the way he is, and committing what he finds to paper: Guy Verbose, introverted private eye. 

______________________________ 

 

The Big Escape 

It was Friday night, 11:30 pm (maybe later). I was lying on the couch in the dark, watching a British crime drama, and trying to forget about the work week that had just ended when I heard voices outside in the street. I also heard a dog barking, so I assumed neighbor Tammy was out there jawing with some of my other neighbors. Tammy’s dog is aggressive toward other canines, so she tends to walk the beast at odd hours. That said, 11:30 pm isn’t exactly her time to shine. (She’s more of a lark than an owl.) 

Nevertheless, I tried to ignore the ruckus outside and reinsert myself in whatever crime had taken place in the quaint English village on my TV. Who among the cast committed this unspeakable act? The universe wasn’t going to let me find out, for just as I was getting sucked back into the story, the sound of barking brought me back to reality. It wasn’t like Tammy to let her dog bark like this, especially so late at night, so after listening to (and getting increasingly annoyed by) the noise for five to 10 minutes, I got up from the couch and schlepped over to the window to have a look-see.  

I assumed I’d find a gaggle of neighbors having some sort of late-night pow-wow in the street. To my surprise, no one was out there. I couldn’t even see a dog, which was strange because the barking sounded close by. Keen to investigate further, I slid on a pair of shoes and went outside. I was halfway across the lawn before I noticed a dog tied to the fire hydrant in the far corner of our front yard near the curb. Our neighborhood lacks streetlights, so the dark-colored dog blended in with the darkness. The dog was clearly agitated, so I slowed my pace and moved in for a closer look. I know most of the dogs in the neighborhood, so I wanted to see if I was familiar with this animal. At the same time, I didn’t want to get too close in case the dog got loose.  

When close to enough to make out some of the dog’s characteristics, I discovered the dog was some kind of pit bull (or pit bull-adjacent breed) and that it was secured to the hydrant by a dog leash. The loop at the end of the leash was placed around the top of the hydrant, allowing the dog to travel around the fire plug without getting tangled. 

To see if I could calm the dog down, I spoke to it in a pleasant voice. 

“Hey buddy,” I said with a tinge of anxiety. 

The barking continued. 

“Hey, hey .... I’m a good guy. I want to help.” 

More barking. 

“Does Cujo want to bite my face off?” 

The dog and I weren’t connecting. Unsure of what to do next, I went back to the house, flicked off my shoes, and stared out the window into the blackness. Now that I knew where the dog was, I could make out its shape against the night. If the dog had been nice, I would have brought it into the house. The last time I encountered a stray dog, a big fluffy beast with a makeshift tag that read “Pooh-bear,” I ended up spending the night with it in the basement only to have it escape our yard and run away the next morning. This time, I decided to bring in the experts and called animal control.  

I found a phone number online for the country’s animal services department and punched in the digits. After getting transferred a few times, I was put in touch with an animal control officer in a town about 20 minutes away. The gentleman took my address and promised to send someone out as soon as possible. I thanked the man for his help, put down the phone, and settled in for a long night of barking. I wasn’t excited about this, so I thought I’d make another attempt to calm the dog. Figuring it couldn’t bark if it was eating something, I grabbed some dog treats and headed out toward the hydrant. 

“Hey there, Cujo. Want a treat?” 

The dog kept barking. (I guess it didn’t know the word “treat.”)  

Still reluctant to get close, I tossed a treat toward the dog, hoping it landed somewhere within the dog’s reach. The dog looked at the treat when it hit the ground but didn’t go for it. It just turned it's attention back to me and kept barking. 

I continued talking to the dog in a soothing voice, telling it that “everything was okay” and that “someone was on his or her way to get you,” but it didn’t make a dent in the barking. Every now and then I tossed another treat in the dog’s direction, but that didn’t do anything to stop the barking, either.  

I wasn’t getting anywhere, so I gave up and went back into the house to reclaim my spot on the couch. The show I was watching ended and another episode had already taken its place. I tried to tune into it, but my thoughts kept returning to the dog. So, I went back to the window to see what the beast was doing. On the way over, I realized the barking had stopped. 

When I made it to the window, I could see the dog was still there and that it was moving in a strange manner, as if it was struggling with something. I pressed my face against the window to get a better look and that was when I saw the dog break free from the leash and run off down the street. 

“Welp, there goes that problem,” I said aloud to no one. 

Figuring I ought to let the animal control know its services were no longer required, I got a hold of the gentleman I had spoken to earlier and told him what happened.  

“The dog freed itself somehow and just ran off down the street,” I said.  

I felt bad for the officer and even worse for the dog, which was now at risk of getting hit by a car. I tried to be a good citizen (and a good human) and do the right thing, but the fates had other ideas.  

The animal control officer took it in stride. He was getting paid either way.  

The next morning, I went outside to look at the leash, part of which was still attached to the hydrant. The dog had chewed through it. It also chewed up the treats I threw to it ... or something did, because they were nowhere to be found, just like the dog that disrupted my Friday night. 

Monday, September 7, 2026

A New Issue of Butter Lamb News is Coming


Greetings friends, Joe3 here to let you know that, after far too long of a hiatus, a new issue of The Butter Lamb News is on the way. This issue--my fifth--will have all the usual departments and pieces you've come to know and love: Commentary on a trend in the dictionary and reference world, dictionary news and information, words I'm watching, new additions to the Butter Lamb Reference Library catalog, and more. I hope to have it out by the close of October. Stay tuned to this space for more news as things develop.

I also wanted to let you know that there's a new installment of "This Week in Strange Music" (Episode 5), featuring sounds from Baltimore's Garbage Masher, Richmond's Future Mantis, Laurel's Willcox Garage (heh, heh), and Toledo's KBD.  

Check it.  

- September 7, 2026